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	<title>Comments on: Dave Schafer &#8211; The Alchemy of Printing</title>
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	<link>http://www.thannalog.com/2009/05/05/dave-schafer-the-alchemy-of-printing/</link>
	<description>an irreverent look at photography from an industry insider</description>
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		<title>By: Christopher Broughton</title>
		<link>http://www.thannalog.com/2009/05/05/dave-schafer-the-alchemy-of-printing/comment-page-1/#comment-1214</link>
		<dc:creator>Christopher Broughton</dc:creator>
		<pubDate>Fri, 08 May 2009 01:33:09 +0000</pubDate>
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		<description>I think I over generalized after I thought about it and there might have been a few fringe papers like a  specific Berger paper that was on cotton rag.</description>
		<content:encoded><![CDATA[<p>I think I over generalized after I thought about it and there might have been a few fringe papers like a  specific Berger paper that was on cotton rag.</p>
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		<title>By: Christopher Broughton</title>
		<link>http://www.thannalog.com/2009/05/05/dave-schafer-the-alchemy-of-printing/comment-page-1/#comment-1212</link>
		<dc:creator>Christopher Broughton</dc:creator>
		<pubDate>Fri, 08 May 2009 01:27:28 +0000</pubDate>
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		<description>Interesting side note, all traditional darkroom papers were made on a wood pulp base.  It was a mix of hardwood and softwood but no cotton.  I can&#039;t find it now but I believe Jon Cone had information on his site at one time where the longevity ratings were actually based upon a 30% fade rate.</description>
		<content:encoded><![CDATA[<p>Interesting side note, all traditional darkroom papers were made on a wood pulp base.  It was a mix of hardwood and softwood but no cotton.  I can&#8217;t find it now but I believe Jon Cone had information on his site at one time where the longevity ratings were actually based upon a 30% fade rate.</p>
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